By Christopher Read
From a hugely unique writer at the topic, this biography is a wonderful scholarly advent to at least one of the main figures of the Russian Revolution and post-Tsarist Russia. not just does it utilize archive fabric made newly on hand within the glasnost and post-Soviet eras, it re-examines conventional resources besides, delivering an unique interpretation of Lenin's lifestyles and ancient significance.
Focal issues of this examine are:
• Lenin's innovative ascetic personality
• how he exploited tradition, schooling and propaganda
• his courting to Marxism
• his altering type research of Russia
• his 'populist' instincts.
A sought after determine on the leading edge of debates at the Russina revolution, learn makes definite that Lenin continues to be in his position as a hugely influential and critical determine of the new past.
Read Online or Download Lenin: A Revolutionary Life (Routledge Historical Biographies) PDF
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Extra resources for Lenin: A Revolutionary Life (Routledge Historical Biographies)
Glinka (premiere) 8) “Tuchki,” a romance, with words by M. Iu. Lermontov and music by A. S. Dargomyzhsky. 9) Russian Dance Tune (Kamarinskaia), fantasia for orchestra by M. I. Glinka (premiere) 10) Russian military chorus by A. F. ”63 But, as this critic noted, this was an unusual concert. Not only was the repertoire exceptionally strong, but it consisted almost entirely of premieres. Such a concert was a rarity and few others could compare with it. As a result, the concert, and a second one that followed in April, captured the attention of critics.
If there are one hundred apartments in a St. ” All of these pianos and the well-employed piano tuner mirrored society’s passion for amateur music making. As the commentator for Literaturnaia gazeta darkly reminded his readers, the grim realities of the city’s musical life hardly stopped at the domestic piano invasion. Taverns provided no relief, as most seemed to view an organ or player piano as an absolute necessity in order to stay in business. ”10 Music was no longer a cultured respite from urban bustle; it had become an unwelcome contributor to the cacophony of the city.
Petersburg was a featured stop on the European concert circuit and regularly attracted famous and fashionable performers, while provincial cities such as Moscow, Odessa, and Kiev attracted a more modest but still signiﬁcant number of touring artists, especially after the ﬁrst quarter of the century. As glamorous as such touring stars could be, the legions of ordinary musicians and singers who poured into St. Petersburg and Moscow hoping to make a substantial proﬁt, if not a career, were perhaps more important.