Endless performance buildings for performing arts /Endless by Qian Yin

By Qian Yin

The structures for appearing arts”including theatres, live performance halls, opera houses”that we express during this e-book are real never-ending concert. structure is hooked up with song, opera, and folks via the director”the architect”and then artwork is prolonged. Newly outfitted, renovated, and leading edge soundscaping, all architects are exploring and aiming to set up a brand new dating among paintings, humans, and constructions for modern lifestyles. This e-book selects the newest and forms of constructions for appearing paintings from all over the world. a few of them new development, and others are reborn with fascinating tales, yet them all are cityscapes and never-ending reside performance.

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View showing the Margot and Bill Winspear Opera House 4. Front entrance of the opera house, photo©Iwan Baan The Margot and Bill Winspear Opera House 1. 建筑外部夜景 2. 红色灯光中,建筑倒映在水中 3. 玛戈特和比尔·温斯比尔歌剧院 4. 歌剧院正门入口 1 2 3 4 74~75 1 1. The sky canopy overhead extents off of the Opera House 2. Stair and lobby 1. 歌剧院上方的顶棚延展开来 2. 楼梯和大堂 2 76~77 1 2 3 1. Chandelier of the performance hall 2. Stage curtain 3. View showing the audience seats from the stage 1. 表演厅的吊灯 2. 舞台幕布 3. 从舞台看观众席 78~79 曲线剧院 Location: Leicester City, United Kingdom Designer: Rafael Viñoly Architects Completion date: 2008 Photos©: Rafael Viñoly Architects Area: 12,900 square metres Award: Winner of 2009 RIBA Award 项目地点:英国,莱斯特城 设计师:拉斐尔·维诺里建筑事务所 完成时间:2008年 摄影师:拉斐尔·维诺里建筑事 务所 面积:12,900平方米 所获奖项:2009年英国皇家建筑师协会优胜奖 Curve As an anchor for redevelopment of the St.

Entrance lobby & ticketing 1, 2. 入口广场 3. 入口广场细部 4. 入口大厅和售票处 2 2 2 3 1 1. Foyer 2. Bureau 3. Fred Barry Hall 4. Corridor 5. Release of scene 6. Scene 7. Denise Pelletier Hall 8. Bar 9. Vestibule 10. Ticketing 3. 弗莱德·巴里厅 4. 走廊 5. 布景装卸区 6. 布景区 7. 丹尼斯·佩雷蒂尔厅 8. 酒吧 9. 门廊 10. 售票处 5 2 2 9 1. 门厅 2. 办公室 4 10 1 6 8 7 122~123 2 3 1 1. Foyer/resting 2. View show entrance plaza from foyer 3. Foyer and window-view 1. 门厅/休息区 2. 从门厅看入口广场 3. 门厅和窗外风景 124~125 1 2 3 1. Overview of Denise Pelletier Hall 2. Seating of Denise Pelletier Hall 3.

This project could not have been if it weren’t for the vision of the people involved. ” 作为莱斯特市中心圣乔治保护区重建工程的标志性建筑,曲线剧院试图融入社区生活。为了实现这一任 务,拉斐尔·维诺里建筑事务所颠覆了传统的剧院设计,将建筑的制作、建设、工艺和技术公诸于众,并 且在其中融入了城市生活元素。 设计通过四层玻璃幕墙将两个主表演厅——750坐席的主厅和350坐席的实验剧厅——展现在公众面前。实 验剧院位于主舞台的对面,周围环绕着公共大厅。舞台、大厅和走道都设在同一水平线上,中间拥有足够 的视觉连接点,让剧院表演一直延伸到街道上。金属百叶窗让舞台向剧院或者大厅开放,保证了不同的表 演形式,以满足社区的文化需求。 剧院的前后没有区别,因为舞台也可以是大厅和走道的一部分。一楼的工作室和制作室从舞台穿越了大 厅,以玻璃墙为特色,让创作活动成为表演的一部分。 西北向的矩形建筑空间包含行政办公室、创作设施、更衣室、排练空间、售票处、录音室、厨房和其他辅 助设施。上层的圆形包厢俯瞰着大厅,让工作人员、表演者和观众从实际和视觉上连接起来,打造了一个 戏剧化、迷人的公共空间。 拉斐尔·维诺里称:“曲线剧院为莱斯特的复兴做出了重大贡献。如果没有考虑到人的参与,项目将大不 相同。人们对剧院所提供的由内而外的体验而感兴趣。制作过程与表演同样重要。” 1.

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