By S. Bobryakov, M. Rosenberg
Англо-русский словарь технических сокращений содержит около 65,000 терминов в различных областях техники и технологии. Сокращения широко используется в технической литературе и, как правило, они создают трудности для читателя. Многочисленные аббревиатуры, используемые в технической литературе, посвященной космосу, сельскому хозяйству, электронике, информатике, химии, термодинамике, ядерной технике, холодильной технике, криогенике, машиностроению, авиации, бизнесу, бухгалтерскому учету, оптике, радиоэлектронике, и военной области, в том числе сокращения, используемые в в широком масштабе ВМФ, ВВС и армии. Во многих случаях идентичные сокращения широко применяются в различных областях техники и технологии, хотя обозначают разные понятия, до нескольких десятков значений в зависимости от технической области. Записи расположены в алфавитном порядке. Был изучен широкий спектр литературы и проведены многочисленные консультации с экспертами. Поэтому трудно переоценить значение данного словаря для НИИ, исследователей, ученых, переводчиков и лингвистов.
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Additional resources for Elsevier's dictionary of technical abbreviations in English and Russian
Petersburg were his. In , a German correspondent in St. ’’14 Within a decade Kotzebue was fully established in Russian provincial stages, serf theaters, and amateur productions. At Kazan University, his works inspired an amateur student theater in which Sergei Aksakov played the role of Meinau. 15 Audiences in Russia adored Kotzebue for what he delivered, whether in German, French, or Russian. Directors and theater entrepreneurs loved him for the full houses. And certain actors found in his work a natural vehicle for their talents.
Of all the melodramas imported by Russian television studios, including the American Santa Barbara (which enjoyed greater success in Europe than at home), The Rich Also Cry generated the most devoted following along with a cottage industry of spinoﬀs, including a Russianlanguage novelization. The original show contained the classic ingredients of melodrama: a self-sacriﬁcing mother, the concealed identity of a son, the threat of incest when the boy meets his younger and unknown sister, and a father forced to negotiate the oedipal conﬂict with the son he never knew he had.
7 People reared in the late eighteenth and early nineteenth century could relate more easily to everyday dramatic situations and to heroes who could triumph over evil than they could to exalted ancients locked in an uneven battle with the gods. Kotzebue was a well-traveled bourgeois man of the world who claimed no depth of intellect. He skillfully played the strings of a sentimentalism that was already in literary vogue, and he spiced it with high adventure. Born into a family of Weimar petty oﬃcials in , he moved in the environment of Schiller and Goethe, studied law, and became entranced by theater.