By Independent Researcher William S Allen
Examines poetic language within the paintings of Heidegger, Hölderlin, and Blanchot.
Read Online or Download Ellipsis: Of Poetry and the Experience of Language After Heidegger, Holderlin, and Blanchot (S U N Y Series in Contemporary Continental Philosophy) PDF
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Translated through Dorion Cairns.
The "Cartesian Meditations" translation relies totally on the published textual content, edited via Professor S. Strasser and released within the first quantity of Husserliana: Cartesianische Meditationen und Pariser Vorträge, ISBN 90-247-0214-3. so much of Husserl's emendations, as given within the Appendix to that quantity, were taken care of as though they have been a part of the textual content. The others were translated in footnotes.
Secondary attention has been given to a typescript (cited as "Typescript C") on which Husserl wrote in 1933: "Cartes. Meditationen / Originaltext 1929 / E. Husserl / für Dorion Cairns". Its use of emphasis and citation marks conforms extra heavily to Husserl’s perform, as exemplified in works released in the course of his lifetime. during this appreciate the interpretation frequently follows Typescript C. in addition, many of the version readings n this typescript are greatest and feature been used because the foundation for the interpretation. the place that's the case, the broadcast textual content is given or translated in a foornote.
the printed textual content and Typescript C were in comparison with the French translation through Gabrielle Pfeiffer and Emmanuel Levinas (Paris, Armand Collin, 1931). using emphasis and citation marks within the French translation corresponds extra heavily to that during Typescript C than to that during the broadcast textual content. usually, the place the wording of the broadcast textual content and that of Typescript C range, the French translation exhibits that it was once in accordance with a textual content that corresponded extra heavily to 1 or the opposite – often to Typescript C. In such situations the French translation has been quoted or mentioned in a foornote.
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Vorbemerkung Wo in den folgenden Manuskriptbeschreibungen nichts anderes vermerkt ist, handelt es sich immer um in Tinte geschriebene Stenogramme (Gabels berger method) auf Blattern vom layout ZI,5 X I7 cm. In den Textkritischen Anmerkungen finden folgende Abkurzungen Ver wendung: Bl. = Blatt; Ein/. = Einfugung (Zusatz, fur den vom Ver/.
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Additional info for Ellipsis: Of Poetry and the Experience of Language After Heidegger, Holderlin, and Blanchot (S U N Y Series in Contemporary Continental Philosophy)
This can be found initially in Hölderlin’s writings, which Heidegger studied in this period, but that articulate a very different relation between language and temporality, thus allowing us not only to assess how far Heidegger’s thinking has traveled by the 1950s, but also to leave open the possibility that the situation of finitude in language may uncover an unanswerable demand. It Introduction 21 is to this problem that the writings of Blanchot seek to respond by interpreting this demand in terms of its alterity, thereby transforming the task of ontology into an ethics and suggesting that insofar as poetry responds to this demand, it not only indicates the logic of language but also unveils itself as a language of finitude.
Thus, inherent to Heidegger’s need to find a means of approaching the complexity and ambivalence of our relation to being is a realization that philosophy itself may be part of the problem, and that other ways of thinking might be more appropriate. Consequently, what is of interest here is the way of thinking that develops in Heidegger’s later works, in which it is not as important to know the precise meaning of Ereignis, phusis, or ale¯theia, and so forth, or even how these terms relate to each other, as it is to understand the reasons and implications for this way of thinking.
To understand this extraordinary statement we need to return to the very beginning of Heidegger’s thinking; as he indicates himself, here at the end of his career, our task is as always to go back and start again. The obscurity and even eccentricity of a “tautological thinking” is only to be made sense of if we can perceive its relation to phenomenology, and this is what I shall proceed with here, for in tautology we find the deepest roots of Heidegger’s poetic thinking. 25 26 ELLIPSIS Heidegger’s first investigations of phenomenology centered on the attempt to find a language that could respond to the dual problems of intuition and expression; how are we able to access the world without reducing it and how can we bring it to language without objectifying it?