By Ernst Levy, Siegmund Levarie
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Translated through Dorion Cairns.
The "Cartesian Meditations" translation relies totally on the published textual content, edited by means of Professor S. Strasser and released within the first quantity of Husserliana: Cartesianische Meditationen und Pariser Vorträge, ISBN 90-247-0214-3. so much of Husserl's emendations, as given within the Appendix to that quantity, were handled as though they have been a part of the textual content. The others were translated in footnotes.
Secondary attention has been given to a typescript (cited as "Typescript C") on which Husserl wrote in 1933: "Cartes. Meditationen / Originaltext 1929 / E. Husserl / für Dorion Cairns". Its use of emphasis and citation marks conforms extra heavily to Husserl’s perform, as exemplified in works released in the course of his lifetime. during this admire the interpretation often follows Typescript C. additionally, a few of the version readings n this typescript are prime and feature been used because the foundation for the interpretation. the place that's the case, the printed textual content is given or translated in a foornote.
the printed textual content and Typescript C were in comparison with the French translation through Gabrielle Pfeiffer and Emmanuel Levinas (Paris, Armand Collin, 1931). using emphasis and citation marks within the French translation corresponds extra heavily to that during Typescript C than to that during the broadcast textual content. usually, the place the wording of the printed textual content and that of Typescript C fluctuate, the French translation exhibits that it was once in response to a textual content that corresponded extra heavily to at least one or the opposite – often to Typescript C. In such instances the French translation has been quoted or brought up in a foornote.
In Phenomenology of Spirit (1806) Hegel is usually held to have introduced the tip of background, the place 'history' is to be understood because the lengthy pursuit of ends in the direction of which humanity had regularly been striving. during this, the 1st publication in English to entirely critique this entrenched view, Eric Michael Dale argues that it's a misinterpretation.
Vorbemerkung Wo in den folgenden Manuskriptbeschreibungen nichts anderes vermerkt ist, handelt es sich immer um in Tinte geschriebene Stenogramme (Gabels berger approach) auf Blattern vom layout ZI,5 X I7 cm. In den Textkritischen Anmerkungen finden folgende Abkurzungen Ver wendung: Bl. = Blatt; Ein/. = Einfugung (Zusatz, fur den vom Ver/.
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Additional resources for A theory of harmony
The series of digits being infinite, we have to limit it arbitrarily. The limiting number we call index. For our purpose the index 16 is sufficient. : The tones 1/7, 1/11, 1/13 are not used in our tone system. Therefore we have no name for them and can describe them only by referring them to the nearest known tone. The signs ÙandÚ indicate that they are, respectively, higher or lower than the note referred to. We write the series on graph paper, in one line from left to right, using one square (inch or centimeter) for each tone, and next proceed to multiply the string by the same series of digits.
There exists, however, an inherent instability of the triad in respect to its mode, as we shall see in the next chapter. The inner schism of the minor mode is strikingly reflected in the schism existing between its harmonic and melodic projections. In major, the congruence between the two is perfect. The melodic projection of the tones of the basic cadential functionstonic T, dominant D, subdominant Sresults in the establishment of the major scale. Now, applying the polarity principle to the cadence, we obtain a perfect minor cadence (aeolian) where all three functions are represented by minor triads.
The hypothesis I have to offer underlies the theory exposed in this paper. Here it is: The first and most important condition into which we are born is telluric gravity. Gravity permeates our whole beingfirst of all and totally, our imagination. Now in the Pythagorean table there is no such thing as telluric gravity but only gravitation around generatorsa sort of a compound planetary system with the monas as its center. About the multitude of tones we may say that they are different from one another, but we may not say that they are different in pitch, because no concept of altitude has yet entered the system.