A Companion to Asian Art and Architecture by Rebecca M. Brown

By Rebecca M. Brown

A significant other to Asian artwork and Architecture offers a set of 26 unique essays from best students within the box that discover and severely research numerous facets of Asian paintings and architectural history.

  • Brings jointly best foreign students of Asian artwork and structure
  • Represents the present kingdom of the sphere whereas highlighting the big variety of scholarly techniques to Asian Art 
  • Features paintings on Korea and Southeast Asia, areas frequently missed in a box that's frequently outlined as India-China-Japan
  • Explores the affects on Asian paintings of worldwide and colonial interactions and of the diasporic groups within the US and united kingdom
  • Showcases quite a lot of issues together with imperial commissions, old tombs, gardens, monastic areas, performances, and pilgrimages.

Content:
Chapter 1 Revisiting “Asian artwork” (pages 1–20): Rebecca M. Brown and Deborah S. Hutton
Chapter 2 the cloth evidence of formality: Revisioning Medieval Viewing via fabric research, Ethnographic Analogy, and Architectural heritage (pages 21–47): Kevin grey Carr
Chapter three Textiles and Social motion in Theravada Buddhist Thailand (pages 48–69): Leedom Lefferts
Chapter four useful and Nonfunctional Realism: Imagined areas for the useless in Northern Dynasties China (pages 70–96): Bonnie Cheng
Chapter five The seen and the Invisible in a Southeast Asian international (pages 97–120): Jan Mrazek
Chapter 6 development past the Temple: Sacred facilities and residing groups in Medieval principal India (pages 121–152): Tamara I. Sears
Chapter 7 city area and visible tradition: The Transformation of Seoul within the 20th Century (pages 153–177): Kim Youngna
Chapter eight unforeseen areas on the Shwedagon (pages 178–200): Elizabeth Howard Moore
Chapter nine The altering Cultural house of Mughal Gardens (pages 201–229): James L. Wescoat
Chapter 10 outdated tools in a brand new period: What can Connoisseurship let us know approximately Rukn?Ud?Din? (pages 231–263): Molly Emma Aitken, Shanane Davis and Yana van Dyke
Chapter eleven Convergent Conversations: modern artwork in Asian the United States (pages 264–289): Margo Machida
Chapter 12 The Icon of the girl Artist: Guan Daosheng (1262–1319) and the facility of portray on the Ming courtroom c. 1500 (pages 290–317): Jennifer Purtle
Chapter thirteen Diasporic physique Double: The paintings of the Singh Twins (pages 318–338): Saloni Mathur
Chapter 14 Re?Evaluating court docket and folks portray of Korea (pages 339–364): Kumja Paik Kim
Chapter 15 clash and Cosmopolitanism in “Arab” Sind (pages 365–397): Finbarr Barry Flood
Chapter sixteen within the Absence of the Buddha: “Aniconism” and the Contentions of Buddhist artwork heritage (pages 398–420): Ashley Thompson
Chapter 17 On Maurya artwork (pages 421–443): Frederick Asher
Chapter 18 paintings, company, and Networks within the profession of Tokugawa Ieyasu (1543–1616) (pages 445–470): Morgan Pitelka
Chapter 19 Shiva Nataraja: a number of Meanings of an Icon (pages 471–485): Padma Kaimal
Chapter 20 Sifting Mountains and Rivers via a Woven Lens: Repositioning girls and the Gaze in Fourteenth?Century East Java (pages 486–512): Kaja M. McGowan
Chapter 21 lifeless attractive: Visualizing the Decaying Corpse in 9 levels as Skillful technique of Buddhism (pages 513–536): Ikumi Kaminishi
Chapter 22 within the identify of the country: music portray and inventive Discourse in Early Twentieth?Century China (pages 537–560): Cheng?Hua Wang
Chapter 23 chinese language portray: Image?Text?Object (pages 561–579): De?Nin Deanna Lee
Chapter 24 finding Tomyoji and its “Six” Kannon Sculptures in Japan (pages 580–603): Sherry Fowler
Chapter 25 The Unfired Clay Sculpture of Bengal within the Artscape of contemporary South Asia (pages 604–628): Susan S. Bean
Chapter 26 Malraux's Buddha Heads (pages 629–654): Gregory P. A. Levine

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Extra info for A Companion to Asian Art and Architecture

Example text

Abrams, 1994. Nelson, Sarah M. ” In Nationalism, Politics, and the Practice of Archaeology, edited by Philip L. Kohl and Clare P. Fawcett, 218–31. New York: Cambridge University Press, 1995. Pai, Hyung Il. ” East Asian History 7 (1994): 24–48. Pai, Hyung Il. ” Korean Studies 25 no. 1 (2001): 72–95. Pai, Hyung Il. Constructing “Korean” Origins: A Critical Review of Archaeology, Historiography, and Racial Myth in Korean State-Formation Theories. Cambridge, MA: Harvard University Asia Center, 2000.

Honolulu: University of Hawai’i Press, 2003. , Mark Dean Johnson, Paul J. Karlstrom, and Sharon Spain. Asian American Art, 1850–1970. Stanford, CA: Stanford University Press, 2008. Chiu, Melissa, Karin M. Higa, and Susette S. Min. One Way or Another: Asian American Art Now. New Haven, CT: Asia Society with Yale University Press, 2006. Clark, John. Modern Asian Art. Honolulu: University of Hawai’i Press, 1998. Coomaraswamy, Ananda Kentish. Christian and Oriental Philosophy of Art. New York: Dover Publications, 1956.

Munroe, Alexandra. Japanese Art After 1945: Scream against the Sky. New York: Harry N. Abrams, 1994. Nelson, Sarah M. ” In Nationalism, Politics, and the Practice of Archaeology, edited by Philip L. Kohl and Clare P. Fawcett, 218–31. New York: Cambridge University Press, 1995. Pai, Hyung Il. ” East Asian History 7 (1994): 24–48. Pai, Hyung Il. ” Korean Studies 25 no. 1 (2001): 72–95. Pai, Hyung Il. Constructing “Korean” Origins: A Critical Review of Archaeology, Historiography, and Racial Myth in Korean State-Formation Theories.

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